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“Tron”wasn’t a massive hit, but did pick up two Oscar nominations and eventually grew into a cult classic its technological vision plays a big part in its lasting appeal - at least more than some of the confusing storytelling decisions. For an audience not yet accustomed to the idea of computer-based interactivity, the movie’s narrative framework helped to normalize emerging technology just as home computers started making their way across the country.
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With a cast that included Jeff Bridges, Bruce Boxleitner, and Cindy Morgan, “Tron” arrived in the summer of 1982, an absolutely bonkers season at the box office that included the release of such hits as “E.T.,” “Poltergeist,” and “Star Trek II: The Wrath of Khan.” The film’s use of computer animation leads to a radical new storytelling perspective - it mostly takes place inside a mainframe computer, with various characters also appearing as anthropomorphized programs that interact with each other and their world (while also existing as entirely made-up digital avatars). Oscars 2022: Best Costume Design Predictions
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'Moon Knight' Director Begged Ethan Hawke to Not Read the Script Before Joining Marvel Series 'Moon Knight' Review: Oscar Isaac and Ethan Hawke Nearly Save Another Sleepy Marvel Series It was a big ask, but suited Disney’s agenda of exploring the potential for computer generated effects, so “Tron” found the deep-pocketed home it needed. It wasn’t exactly an appealing idea to the studio system, because Lisberger and Kushner weren’t just angling to create a new cinematic world from scratch they also wanted to develop new technology to make it so. However, they eventually decided to explore the story through a blend of live-action footage and computer animated sequences. With producing partner Donald Kushner - with whom he’d made the 90-minute Olympics-themed animated feature “Animalympics” - Lisberger set up an animation shop to bring “Tron” to fruition. When Steven Lisberger first conceived of what would become his 1982 film “ Tron,” the fledgling filmmaker had a startling vision of the future: an animated feature that could explore the world of early video games like “Pong” in the kind of detail not yet available for live-action moviemaking.
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